Channel and format selection through the lens of attention. Start with a scenario to get a recommended budget split, then dig into benchmarks, elasticity, thresholds, and live aCPM — built on the Arla Attention Calculator 2026 (Lumen Research): 50 placements across video, display, audio, OOH and print, plus TikTok from the 2023 Arla audit.
The right attention strategy depends on brand size and message complexity — not a single rule. Set the two inputs and the dashboard places you in one of the four routes from the Arla Attention Planning Playbook, then builds a starting budget split.
| Channel group | Role | Rec. % | Your % | CPM | APM | Spend | Att. sec. |
|---|---|---|---|---|---|---|---|
| Total | — | — | — | ||||
About this split. The playbook deliberately doesn't prescribe percentage budget splits — it gives the format priorities and launch/sustain sequencing shown above, and leaves the optimal mix to CCS Planner scenario runs. So treat these percentages as an editable planning aid that reflects the route's emphasis, not a number from the playbook. Edit "Your %" and the CPMs to match your plan; everything recalculates live. CPMs link to the aCPM calculator: if you leave a group's CPM blank but price its placements over in the calculator tab, this table borrows the average of those prices (shown as a faint placeholder with an ↩ from calculator tag). Typing a CPM here overrides that. APM per group is an average of that group's placements. OOH attentive seconds are contact-based and directional.
Source: Arla Attention Calculator 2026 (Lumen Research), covering 50 placements across video, display, audio, OOH and print. APM = attentive seconds delivered per 1,000 impressions served; view time = average attentive seconds per view. The 3,000-APM line (≈ the 3s favourability threshold) appears only when placements on screen fall on both sides of it. TikTok Infeed is the one exception — it isn't in the 2026 calculator, so its figures come from the 2023 Arla Attention Audit (playbook p.42) and are flagged accordingly.
Each format has a floor and a ceiling of attentive seconds, with the audit average sitting between them. The length of each line is the elasticity — how much strong creative can move attention within that format. Long lines (Instagram Story, Facebook In-stream) mean creative is richly rewarded; short lines (Pinterest, YouTube Non-skippable 6) mean the format itself caps what's possible.
Source: Arla platform attention elasticity, Attention Audit (Lumen, 2021–22), playbook p.25. Floor/ceiling are read from the audit's attention-ceiling / attention-floor markers and are directional. The 3s line marks the favourability threshold: formats whose ceiling clears 3s can, with strong creative, reach favourability; those whose average already clears it do so reliably. The Range (Δ) column is simply ceiling − floor in attentive seconds — the wider it is, the more strong creative can lift attention in that format.
| Objective | Minimum attentive time | Difficulty |
|---|---|---|
| Online ad recall | 100ms+ | Low bar |
| Unaided brand awareness | 100ms+ | Low bar |
| Spontaneous brand awareness | 1s+ | Low bar |
| Familiarity | 1s+ | Low bar |
| Favourability | 3s+ | Medium |
| Consideration | 5s+ | Harder |
| Purchase intent | 5s+ | Harder |
Thresholds are average view-time levels at which each metric starts to move, per Lumen norms. Use the 1s / 3s / 5s attention-rate columns in the calculator to see what share of a placement's impressions actually reach each threshold.
| Channel / placement | % eyes | View | APM | CPM | aCPM | 1s | 3s | 5s |
|---|
aCPM = CPM × 1,000 ÷ APM. Type your own CPMs (in the selected currency) — aCPM recalculates instantly. Sorting by aCPM ranks the placements you've priced from most to least attention-efficient. Decimal separator: . or , · Data: Arla Attention Calculator 2026 (Lumen), 50 placements; the row tagged 2023 (TikTok) is from the earlier Arla audit, and its 1s/3s/5s rates (marked *) are modelled from view time rather than measured.
The headline attention metric. The number of attentive seconds a placement delivers per 1,000 impressions served. Combines how many people look (% eyes-on) with how long they look (attentive view time). High APM = lots of attention per impression bought. In the calculator, Cinema 60s sits near 46,700 and Twitch Sponsored Streams near 29,000; a mobile Facebook feed video is around 315.
The attention-adjusted version of CPM. Calculated as CPM × 1,000 ÷ APM. It tells you what you actually pay for a thousand seconds of human attention, rather than for a thousand impressions that may or may not be seen. A "cheap" CPM with low attention can have a worse aCPM than a "premium" CPM with high attention — which is the whole argument for attention-led buying.
The traditional buying metric: cost per 1,000 impressions served. Says nothing about whether anyone looked. Attention planning treats CPM as the input and aCPM as the truer measure of value.
The share of a placement's impressions where a person's eyes were actually on the ad at some point. A measure of whether attention happened. OOH digital screens score 100% (you're physically in front of them); a desktop static banner is as low as 16%, and Twitter pre-roll just 4%.
The average number of seconds of attention per view, among impressions that got any attention. A measure of how long. Drives whether a format can clear the deeper objective thresholds (3s, 5s).
The share of a placement's impressions that reach at least 1, 3 or 5 seconds of attention. These map directly onto the objective thresholds: 1s ≈ awareness/familiarity, 3s ≈ favourability, 5s ≈ consideration/purchase intent. A placement can have decent average view time but collapse at the 5s mark if attention is front-loaded.
The act of selectively concentrating on something — however briefly — while ignoring other perceivable things. In media terms, it's whether and how much a person actually engages with an ad, as opposed to merely being served it. It's selective, finite and not binary.
The currency of attention measurement: seconds during which a person is actually paying attention to an ad. Aggregated up, these become APM. The closest thing the industry has to a cross-channel attention currency.
"Lean-in" attention — eyes directly on the ad, conscious engagement. It has the strongest relationship with brand outcomes and memory: more active attention seconds means more recall and slower memory decay. YouTube and TikTok tend to skew toward active attention. Amplified Intelligence / Nelson-Field
The ad is seen or heard, but the person isn't actively engaged — peripheral or "lean-back" exposure. It still contributes to outcomes, but less strongly than active attention, and its effect varies by platform. Facebook and Instagram skew more toward passive attention. Amplified Intelligence / Nelson-Field
The "off switch" — the ad is served but receives no attention at all. Research consistently shows no attention drives little to no brand uplift, and can even coincide with decline. This is the waste attention planning is designed to strip out.
Attention isn't constant within a single exposure. A viewer might attend to the first second or two, then drift; or flick in and out across one ad. This is why average view time and the 1s/3s/5s rates can tell different stories about the same placement.
Six recurring patterns of how attention plays out across an exposure (Long Look, Like Glue, High Flyer, Flicker, Scroller, Super Scroller). Two placements can share the same average attention but have very different shapes — and therefore drive different outcomes. Nelson-Field & Jung, WARC 2022
A critical distinction. Viewability (e.g. MRC standard: 50% of pixels in view for 1+ second) only measures whether an ad had the opportunity to be seen. Attention measures whether it was seen, and for how long. An ad can be 100% viewable and receive zero attention.
The traditional reach measure: the number (or %) of unique people exposed to the campaign at least once, deduplicated across channels. Counts an exposure regardless of whether attention was paid.
Net reach filtered for attention — the unique people who not only saw the ad but actually paid attention to it. Always lower than net reach, but a better predictor of effect. Planning for attentive reach typically doesn't reduce total reach significantly while improving brand outcomes. Dentsu / CCS Planner
A further step beyond attentive reach: people reached with a level of attention deep enough to drive deeper engagement, not just registration. Used to gauge the quality end of the reach curve.
The propensity of a brand to be noticed or thought of in buying situations — being "easy to mind." Active attention drives positive MA uplift; no attention drives none. Higher-attention platforms tend to drive higher MA. Amplified Intelligence; Ehrenberg-Bass
A measure of an ad's immediate sales effect: the uplift in brand choice among those recently exposed versus not. Used alongside MA as an outcome that attention is shown to predict.
Minimum attentive-time levels at which different brand metrics start to move (per Lumen norms): ~100ms for ad recall, ~1s for awareness/familiarity, ~3s for favourability, ~5s for consideration and purchase intent. The basis for the Objective thresholds tab.
Definitions drawn from the Arla / Dentsu attention programme and supporting sources: Lumen, Amplified Intelligence (Dr. Karen Nelson-Field), the WARC Guide to Attention, and the Ehrenberg-Bass Institute. Figures are illustrative of the 2026 dataset used in this dashboard.